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reveries du promeneur solitaire

A photo-roman based on "chapters-walks" by Hariklia Hari. / The project's theme is an ongoing travel through subjective landcape experience and observations and a careful study of the spirit that derives from places.

reference


Vangelis Gokas
I am like a pelican in the wilderness, I am like an owe in the desert, 2010, λάδι σε καμβά, 18I am like a pelican in the wilderness, I am like an owe in the desert, 2010, λάδι σε καμβά, 185Χ2155Χ215
Αναρτήθηκε από hariklia hari
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Ετικέτες Gokas
Νεότερη ανάρτηση Παλαιότερη Ανάρτηση Αρχική σελίδα

Ετικέτες

  • Reveries' temporary office (4)
  • Angelos Antonaropoulos (1)
  • Gizinos; Landscape (1)
  • Gokas (1)
  • Panos Charalambous; Ambrakia Mia 1994 (1)
  • Urban Void; Actions 1998-2006 (1)

About the project

Reveries du promeneur solitaire;
A photo-roman based on "chapters-walks" by Hariklia Hari
An ongoing travel through subjective landscape experience and observations and a careful study of the spirit that derives from places.


Αρχειοθήκη ιστολογίου

  • Απριλίου (1)
  • Φεβρουαρίου (5)
  • Ιανουαρίου (2)
  • Δεκεμβρίου (8)
  • Μαρτίου (1)
  • Οκτωβρίου (1)

Αναγνώστες

Πληροφορίες

Η φωτογραφία μου
hariklia hari
My work is a systematic research in progress on the transformations of specific socio-geographic environments, in areas in Greece, such as Faliron bay after the massive changes that followed the Olympic Games 2004 and Farkadona Military Camp hosting Repatriatriated Greek Community since 1992 or abroad (Venice, Paris, Berlin, Cyprus). This research can form a diary of personal and architectural self-knowledge (No.M.A.D., 2001-4) or of personal interaction with the "spirit of a site" (ongoing project Reveries du Promeneur Solitaire, 2009-) but mainly focuses, through collective projects or exhibitions, on exploring posibilities of the combination of art/architecture with social practices refering to questions of participation, auto-organisation, free knowledge, autonomous zones, aesthetics, collaboration, persona, media strategies, new ways of production and distributions of cultural products, and activism that cross into real-life social situations and institutions (Paradigmata, 2004 / PPC_T-Farkadona, 2004- / Microgeographies, 2011-).
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